Laurence55

In my previous journal, I discussed the concept of yūgen and its application in haiku poetry. I briefly examined the history of yugen and included several examples of the concept. :heart: In my fifth and final journal of this series, I will be discussing the aesthetic principle known as “Karumi.” I will examine the origins of karumi, and discuss its importance in understanding haiku. Developed by Matsuo Bashô during his final travels in 1693 (Hass 7), karumi is perhaps one of the most important and least understood principles of haiku poetry. Karumi can best be described as “lightness,” or a sensation of sponta

In my previous journal, I discussed spark images and their usage in haiku poetry. I examined the importance of spark images in creating multiplicities and included several examples of the technique. :heart: In this journal, I will be discussing the aesthetic concept known as “Yūgen.” I will examine the origins of yugen, and discuss its importance in creating multiplicities within haiku. In addition, I will examine techniques which are used to incorporate yugen into the art. As I mentioned in the first journal of this series, what I am seeking to focus on are techniques used to create what is known as “touchingness” i

I am pleased to announce that the annual Haiku-thon will begin taking place on July 1st. Hosted by Iscariot-Priest (https://www.deviantart.com/iscariot-priest), this event involves haijin writing one haiku for each day of the month. For beginning haijin, this is a chance to experience the art and meet other poets who share an interest in haiku and its related styles. For experienced haijin, this is a time for us to contemplate the art, discuss techniques, and refine the subtle elements of our craft. Most importantly, it is a time for us to encourage and teach new haijin by example. :heart: I am proud to say that the haiku (and its related styles) community has grown tremendously s